Guy de Cointet: Prop for Going to the Market
in MoMA Museum Research Consortium Dossier 4: Performance and Performance-Based Work
(New York: Museum of Modern Art, 2020)

To the Limit
in Aki Sasamoto: Phase Transition, ed. Lydia Bell
(New York: Danspace Project, 2020)

What to fall back on
Art-Agenda, May 2, 2019

Publishing Systems: Jorge Glusberg and the CAYC Exhibition Catalog
in Journal de l’Université d’été de la Bibliothèque Kandinsky N° 5, eds.  Aurélien Bernard, Mica Gherghescu, and Benjamin Thorel
(Paris: Centre Pompidou, 2019)

Eva Barto’s Gamble
TextWork, November 2017 (English and French)

The Visible Hand
in The Visible Hand, curated by David Borgonjon
(CUE Art Foundation, 2017) and, January 2017

Bad Workers: Notes on the Socius and the Book
with K. Antranik Cassem and Matt Longabucco
in Publishing as Artistic Practice, ed. Annette Gilbert
(Berlin: Sternberg Press, 2016)

‘Make it Big (Blow Up)’ by Shezad Dawood
‘Decoy Gang War Victim’ by Asco
UNdocumenta: International Film Festival, ed. Gallien Déjean
(Gwangju: Asia Culture Center-Theater, 2016)

Apport, Support, Décor: On the Reading Séance
in Dominique Hurth, Séance de lecture
(Berlin: n.p., 2016)

For Example (A Critique of Never)
with Lanny Jordan Jackson
in a small book named artless, ed. Adrienne Rooney
(New York: jenaeveeve, 2015)

For Example (We Have Decided to Become Our Own Posterity): on Arakawa and Gins
C Magazine 127 (Fall 2015): 36-39.

Notes on Fear
in Proyecto Líquido: Fear
(Mexico City: Fundación Alumnos47, 2015)  

Itself Not So, January 12, 2015

Et in Utah Erant: The Reel Works of J.G. Ballard, Tacita Dean, and Robert Smithson
East of Borneo, March 2014


Revisiting History: Yvonne Rainer, Revisions: Essays by Apollo Musagète, Yvonne Rainer, and Others (No Place Presse)
BOMB, July 1, 2020, Web 

Talk to Me: On new lecture-performances by Carissa Rodriguez, Naama Tsabar, and Pablo Helguera
Artforum, June 17, 2020, Web

Action Figures: On Performa 2019
Artforum, December 4, 2019, Web

Kosmic Inflation: On Kristen Kosmas’s The People’s Republic of Valerie
Artforum, November 11, 2019, Web

Teo Hernández’s Diaristic Cinema
Frieze, April 16, 2019, Web and print

57th Carnegie International
Art-Agenda, November 13, 2018, Web

And Then There is Using Everything: Boris Charmatz’s 10000 Gestures
BOMB Magazine, November 9, 2018, Web

Jacolby Satterwhite’s Blessed Avenue at Gavin Brown’s Enterprise, New York
Millennium Film Journal 68 (Fall 2018)                                            

Daaimah Mubashshir, The Immeasurable Want of Light
BOMB Magazine, September 2018, Web and print

Elliptical Communication: Alexandra Pirici’s Co-Natural
BOMB Magazine, April 13, 2018, Web

Bernadette Mayer at Canada Gallery
Art in America (November 2017): 109-110

Agnès Varda at Blum & Poe, New York
Millennium Film Journal 66 (Summer 2017)

From Reader to Writer: On a New Book by Moyra Davey
Art in America, May 5, 2017

Eve Fowler’s with it which it as it if it is to be at Participant Inc.
Millennium Film Journal 65 (Spring 2017)

Lili Reynaud-Dewar’s Teeth Gums Machines Future Society, Momentum Issue, Jan/Feb, 2017

TELE-Gen: Art and Televisionat the Kunstmuseum Bonn
Millennium Film Journal 64 (Fall 2016)

Rachel Rose’s Everything and More at the Whitney Museum of American Art
Millennium Film Journal 63 (Spring 2016): 10-11

Steven Leiber’s Sales Catalogues
in “On Writing: Critical Art Ensemble” C Magazine 138 (Winter 2015): 9

Séance Fiction at the Walter Phillips Gallery
Millennium Film Journal 62 (Fall 2015): 20-23

Cut to Swipe at the Museum of Modern Art
Millennium Film Journal 61 (Spring 2015): 18-21

Isaac Julien’s Ten Thousand Waves at the Museum of Modern Art
Millennium Film Journal 59 (Spring 2014): 26-29, 56-57


‘Being in Residence’: A Conversation with Holly Shen and Rachel Valinsky
Blonde Art Books, April 23, 2017

Alina Tenser
BOMB Magazine, August 26, 2015

Interview with Manon Lutanie
Éditions Lutanie, June 5, 2015

Natalie Czech
BOMB Magazine, October 22, 2014